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While this is obvious, it does bring up a point. From these principles, you can begin to experiment with melodic harmonization. Linked Data More info about Linked Data. On to the answer: For other harmonies, decide which potential notes fit the chords by thinking of the chords that would make the melodic note the root, third or fifth of the chord. Please note that many of these can be done concurrently. Write a review Rate this item:
4C Melody Harmonization
It could be argued that these 6 notes — written as they are — have no place in a piece of music other than the fact that one can join any 6 notes together, but that a real composer would replace the D for example with an Eb, and I can think of examples where the chord of F has been played, but the solo note is E that has no place in the F chord, but nevertheless creates a unique harmony. They always have a purpose. Henry Baynton-Power Find more information about: So back to the above example.
How to Compose Music, Part 3: Melody or Harmony First?
Description: The E-mail Address es you entered is are not in a valid format. From the table, we can see that the tonic note C , the third E , and the fifth G , are all expected notes, while the rest of the tones are unexpected. Your request to send this item has been completed. They can either add tension or be predictable.